Inspired by similar lists made by Scott Tennant and Mark Richardson, I thought I’d create my own best of from the last 5.5 years.

I’m actually a bit surprised at myself over how many of these tracks are non-singles; (or maybe I should be surprised that more of these songs weren’t released as stand-alones). A few of these are also concretely linked to specific places and times:

  • The School of Language and Week That Was singles, as well as Sea & Cake’s “Weekend,” were three that I had on repeat right around the time that we started City States—you could call them inspirational.
  • I listened to “Out Go The Lights” in my car about two dozen times during week after my dad died (which I was drawn to because of its overall notions of loss, and because it was a band we both enjoyed together, not because of any darkness=death metaphors that can be extracted from the lyrics).
  • "Holcene" was a song I remember specifically having to turn off at work—I heard it for the first time while contracting at a fantastic studio downtown called GravityTank, and the song’s lonely guitar intro was so affecting that I found myself getting misty-eyed while sitting at my desk.

And perhaps it’s just a current fascination, but “Art of Almost” is the easy winner for me. Full-disclosure: it’s a strong reference point for the opening track on the album I’m making. But in addition to the inspiration I’m taking from it as a musician, I’m also generally fascinated with way that the song seems to occur in movements, the way that instruments seem to bubble up, take command, then eventually drop out over time. Perhaps most importantly, I enjoy the shared language that emerges between the traditional and electronic instruments, as if the divide between the “real” and “synthetic” is arbitrary or imagined (this is a continuing preoccupation for me as both a musician and as a listener). For me, “Almost” feels very rooted in the here and now, yet also otherworldly and strange, like looking at the planet from 100,000 feet.



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Selections are in rough order of ranking (a one-song-per-band rule is mostly followed, save for the arguable Field Music / Week That Was / School of Language overlap):

Wilco - Art of Almost
Portishead - Machine Gun
Nick Cave & The Bad Seeds - Dig, Lazarus, Dig!
Eno / Byrne - Strange Overtones
Low - Murderer
Bon Iver - Holcene
Bobby Womack - Please Forgive My Heart
LCD Soundsystem - All I Want
The Week That Was - The Airport Line
Spoon - Out Go The Lights

Meursault - Crank Resolutions
Radiohead - Separator
School of Language - Rockist Part 1
Walkmen - Heaven
Deerhunter - The Missing
St. Vincent - Marrow
Field Music - Precious Plans
The National - Sorrow
Hot Chip - Slush
Antlers - I Don’t Want Love

Serengeti - PMDD
Matthew Dear - Deserter
Wild Beasts - Invisible
Grizzly Bear - Sun In Your Eyes
Dirty Projectors - Impregnable Question
Destroyer - Blue Eyes
Swans - A Piece of the Sky
Santigold - L.E.S. Artistes
Bear In Heaven - Lovesick Teenagers
Björk - Crystalline

No Age - Things I Did When I Was Dead
Kanye West - On Sight
Merzbow & Richard Pinhas - Tokyo Electric Guerilla
Akron / Family - Sometimes I
Tame Impala - Be Above It
PVT - Shiver
Mannequin Men - Flyin’ Blind
Radian - Git Cut Noise
Blur - Under the Westway
Here We Go Magic - How Do I Know

Mountains - Choral
Tune Yards - Bizness
Sea & Cake - Weekend
Magnetic Fields - Too Drunk To Dream
Vampire Weekend - A-Punk
13 & God - Old Age
Coldplay - Chinese Sleep Chant
Sigur Ros - Gobbledigook
Animal Collective - My Girls
James Blake - Limit To Your Love

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